Ciara Considine – Black Is The Colour – Celtic Traditional
A beautiful Celtic folk song sung and played by Ciara Considine.
Background: This is an old song dating with tune origins probably
dating to the 18th century. The lyrics were first...
The Essencial Berlin Rock Playlist
Originally published on iHeart Berlin
by Michalina
I’ve said it before and I’ll say it again – as much as I appreciate Berlin’s party culture, I find it a shame that...
Death in June: Skinheads Say Band Is Racist
Originally published on New Times on December 3, 2015
By Deidra Funcheon
Death in June is a British post-punk band that has been around since 1981. According to one reviewer, "Early DIJ is...
A dark folk feita de sangue e carne de King Dude ao vivo em...
Publicado originalmente no em em 1-6-2018
Por Sandra Cavaleiro
King Dude, o Messias Luciferiano, regressa a Portugal para assombrar os becos sujos, as vielas pejadas de sombras humanas perdidas, o chāo seboso de cerveja...
Wardruna: Nordic Folk Music of the Ancients, Rooted in Nature
Originally posted on New Sounds on December 2nd 2018
By John Schaefer
Norwegian band Wardruna creates music born of Nordic history, Norse runes and nature - and is led by multi-instrumentalist and songwriter Einar Selvik, who...
A CULTURA RIVET-HEAD (QUE TRIBO URBANA É ESTA?)
Publicado originalmente no Epo Music
Por EdCyborg
RIVETHEAD
Origem: Wikipédia, a enciclopédia livre. Link https://pt.wikipedia.org/wiki/Rivethead
O Rivethead – conhecido como “tronco” no Brasil é um fã de Música industrial. A tradução literal da palavra é “cabeça de rebite“.
A ORIGEM...
Twenty Years Later: On Massive Attack and Mezzanine
Originally published on The Paris Review on April 20, 2018
By Michael A. GonzalesIn 1998, when I was a writer for Vibe magazine (which was the leading black culture journal), I went to London...
Dark Ambient 101
Dark Ambient 101
Originally published on This Darkness
By Michael Barnett
Dark ambient is a genre that is still quite a mystery, even to many dedicated fans, though it’s been around for...
J.S. Bach, Cantata 136, at Trinity VIII
Originally Posted by Hendrik Slegtenhorst on October 31, 2018
The cantata considers themes of mortal hypocrisy and divine judgment.
The cantata’s bass recitative first bewails the ubiquity of impurity, then insists, in arioso, that, nonetheless, in Christ...